October 31, 2013
In case you’re out of the music loop, 2013 has been a great year of music for your latest Halloween mixes. And sometimes, even if the song doesn’t quite fit, the artists manage to put together a music video that sets the tone just right. There are werewolves, vampires, zombies, graveyards, murder, sundry weird shit, and even a little apocalypse action. Here’s a round-up of some very appropriate videos to help put you in the Halloween mood:
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June 13, 2013
It’s understandable if Wenatchee music isn’t on your radar. Wenatchee is a small rural community in the middle of Washington state, so there’s relatively not much homegrown music to seek out. But as a resident, I can say there is plenty of good stuff around here if you look in the right places. And it just so happens that, right now, Hearingade is the right place! One of Wenatchee’s very most venue-packing bands, Poor Folks Live Well, just debuted a music video this week for “O General” off their 2012 EP, 40 Years of Famine. Give it a looksee; let it rock your face today.
June 6, 2013
Oh damn, Archie Powell and his trusty Exports have done gone and quaked my heart again. Their new music video for “Only So Much You Can Do,” by Rhapsody Productions, premiered yesterday at Diffuser.fm, and it’s a horror lover’s dream! The sequences are akin to those creepy found tapes in “V/H/S,” full of darkness, fear and gore, as the boys rush through hallways trying to escape some unseen threat. All we know is that it’s oozing some gross gooey gunk and it’s super sneaky. As much as I love those guys, I can’t deny how much I’ve enjoyed watching their blood splattering all over the place.
On the same day, Archie Powell & the Exports released the song as a single on Bandcamp with previously unreleased b-side “Screening Calls.” Snag it for just $1!
June 3, 2013
Surf rock seems to be a genre that’s withstood generations of musical shifts, relentless all through the psychedelic ’60s, the metal ’70s, the synthy ’80s, the alternative ’90s, and straight into the new millennium. Even when it didn’t sound like it rode a wave right onto your speakers’ shores, there’s never really been a time since its inception that it couldn’t be heard in abundance.
So some could say that albums like sister surf rock group Bleached‘s debut full-length Ride Your Heart are a dime a dozen. Especially among established contemporaries such as the Drums, Best Coast, Wavves, Veronica Falls, and Tennis. And those people wouldn’t be totally wrong. There’s certainly been a surge in today’s indie rock banks of this particular style, and at times these melodies can start to all sound very much the same.
But there’s a reason why music like this maintains such a strong presence. Its sound embodies a feeling of freedom from everyday life. In all its potential to be mundane, its mere existence symbolizes an escape from the mundane. Those surf guitars send your mind straight to the beach, which is a common place people consider a break from reality, relaxing in the sun and sand, splashing around in the water to wash your cares right away. You can be just sitting at your desk, but when these songs play, you’re taken there, and it’s such a release.
Bleached doesn’t try to mess with this formula, instead keeping the style pretty classic on Ride Your Heart. At times, Jennifer and Jessie Clavin sound like Joey and Johnny Ramone incarnate — especially on album opener “Looking for a Fight” and the subsequent “Next Stop” — but with more reverb.
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May 23, 2013
Last month, New Orleans-based indie rock duo Generationals released their third full-length album, Heza. This week, they debuted a video for “Spinoza,” featuring vocalist Ted Joyner dashing through the streets of NOLA while Grant Widmer rides around in a truckbed struggling to play his guitar as he slides all over. If there’s a point to it all, I’ve missed it, but it’s certainly a delight to bask in the sights of one of my favorite cities — vendor booths in Jackson Square, iron-fenced balconies throughout the French Quarter, horse-drawn tour carriages. For more views of The Big Easy, check out the band’s video for Heza‘s lead single, “Put a Light On.”
May 21, 2013
Pop-punk’s pulse beat strong in the mid- to late ’90s, but somewhere around the turn of the century, it seemed to trickle out. That’s not to say it disappeared, but the sound in general grew stale, as new styles of rock (often borrowing from old styles) emerged in the forefront. With Allison Weiss‘ new album, Say What You Mean, that brand sounds fresh again. Weiss doesn’t necessarily bring much new to the table, but something about her interpretation of the genre brought it back to life in my ears. Her solid power chords, classic yet stimulating, and vocals that convey emotion as much as the lyrics themselves probably have a lot to do with it.
Music can be so powerful when its effect on you is not only visceral, but emotional. I think that’s where Weiss won me over with this release, because her heartbreak is so relatable — as heartbreak is wont to be, I suppose. She covers a decent range of scenarios that can come from a rough break-up, using varied levels of sass to drive her point throughout the album.
Say What You Mean opens with “Making It Up,” a relatively light, poppy tune, implementing a bit of synth atop the basic guitar/bass/drums set-up. The song pleads to an ex-lover who’s acting like whatever they had together never happened: “Am I making it up? Was it not what you said? Was I never the one? Was it all in my head?” This juxtaposition of cheerful melody to despondent lyrics is always a satisfying angle, because instead of burying the listener in sad feelings, it uplifts them.
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