Archive for ‘Vinyl’

July 9, 2013

Gaytheist: ‘Hold Me…But Not So Tight’

Hold MeGaytheist‘s second full-length album with Good To Die Records, Hold Me…But Not So Tight, was just released this spring and, in short time, delivered to me on beautiful 160 gram white/pink haze vinyl. I was turned onto Gaytheist with their 2012 album Stealth Beats. Their frantic punk riffs — compliments of Tim Hoff, Nick Parks — Jason Rivera’s vocals, and lyrics entangled me into the days of my youth as an avid punk kid.

I frantically rushed inside and put the record on my turntable. I had been holding out, not listening to any songs on the Internet, not spoiling the moment. I contemplated my beverage choice in my kitchen as the first track, “Starring In ‘The Idiot’,” started and ended faster than I could grab a drink. Now that’s punk rock. Rolling right into the next few tracks, I sat down with my beer, closed my eyes, and rythmically bopped my head around. “60 Easy Payments” downshifted the gears and instead of fast-paced trash, they get heavy, but with a lyrical humor that you makes ya chuckle a bit, ’cause most adults have been there.

This is Gaytheist, a perfect blend of punk and what have you. Getting into the album a bit more, there’s pop, punk and some delicious licks that make you feel accepted into whatever party is happening. You are the “it” crowd.

February 6, 2012

Living Hard in ‘Pus City’: Monogamy Party Vinyl Review

Ok, this is a few months late as far as the release dates go, but “better late than never,” someone once told me. I also tagged this as a “Best of 2011″ because dammit it is! I received my 10” Monogamy Party Pus City LP just a while ago from Good To Die Records and I’ve been spinning it for as long as I’ve had it. In reality it hasn’t even made it onto the shelf yet.  So let’s get this party started.

Monogamy Party is a three-piece, no holds barred, punk-induced nightmare, landing smack dab in your face. Unlike your conventional three-piece, what this band doesn’t have is a guitarist, and it makes perfect sense. Yos-Wa holds his own on bass duties and vocals, as lead singer Kennedy, belts out fantastic lyrics. Their drummer Keith holds down the fort with solid, yet fast, rhythms. Listening to the album, you don’t even miss the guitar. As partial as I am to bass players, being one myself, I give mad props to Yos-Wa and his heavy, distorted rhythmic playing and his Rickenbacker’s clean mid-range thump. His blend of clean and effected passages really give a 2-dimensional quality to the overall sound of the album. Who needs those extra six strings getting in the way of perfection?

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