It’s understandable if Wenatchee music isn’t on your radar. Wenatchee is a small rural community in the middle of Washington state, so there’s relatively not much homegrown music to seek out. But as a resident, I can say there is plenty of good stuff around here if you look in the right places. And it just so happens that, right now, Hearingade is the right place! One of Wenatchee’s very most venue-packing bands, Poor Folks Live Well, just debuted a music video this week for “O General” off their 2012 EP, 40 Years of Famine. Give it a looksee; let it rock your face today.
Oh damn, Archie Powell and his trusty Exports have done gone and quaked my heart again. Their new music video for “Only So Much You Can Do,” by Rhapsody Productions, premiered yesterday at Diffuser.fm, and it’s a horror lover’s dream! The sequences are akin to those creepy found tapes in “V/H/S,” full of darkness, fear and gore, as the boys rush through hallways trying to escape some unseen threat. All we know is that it’s oozing some gross gooey gunk and it’s super sneaky. As much as I love those guys, I can’t deny how much I’ve enjoyed watching their blood splattering all over the place.
Last month, New Orleans-based indie rock duo Generationals released their third full-length album, Heza. This week, they debuted a video for “Spinoza,” featuring vocalist Ted Joyner dashing through the streets of NOLA while Grant Widmer rides around in a truckbed struggling to play his guitar as he slides all over. If there’s a point to it all, I’ve missed it, but it’s certainly a delight to bask in the sights of one of my favorite cities — vendor booths in Jackson Square, iron-fenced balconies throughout the French Quarter, horse-drawn tour carriages. For more views of The Big Easy, check out the band’s video for Heza‘s lead single, “Put a Light On.”
Break out your dancin’ shoes, because !!! is gonna make you wanna move with their new album, Thr!!!er. Nic Offer blends pop music styles like a boss, and it’s all founded on sumptuous bass rhythms that make it tough to sit still. It’s all so obvious in the new music video for “One Girl / One Boy.” Offer dances around in his super-sweet short-shorts while singing about how a song keeps him connected to a former love.
No amount of heartbreak can really separate us from our musical memories of dancing with someone we once loved, and Offer’s plea is that it may not matter anymore, but when that song plays, he can’t help but feel like he’s in that place again, when things were good. Because let’s face it, nothing is bad when you’re dancing. All your troubles dissipate on the dance floor like droplets of water burning off a hot skillet (that’s how I learned to know my pan was ready for pancake batter, anyone else?). The awesome Sonia Moore provides guest vocals on this tune, and I can’t help but be a little jealous that she gets to groove with this fresh gent, because that guy looks like a choice dance partner. And seriously, more dudes need to wear short-shorts. Ain’t nothing wrong with showing a little leg, fellas!
Pop culture aficionado and singer-songwriter Allie Goertz released her debut full-length album this week. Cossbysweater is a fan-funded collection of send-ups to “Freaks and Geeks,” “The Simpsons,” “Arrested Development,” Dungeons & Dragons and other geek faves. Goertz’s new music video for “Stagnant’s Fine” seems to stand apart from the rest, seemingly without any blatant pop culture references. Just a nonchalant song about being stuck in place and apathetic. Most of Goertz’s songs are presented beneath a sheer shroud of melancholy, with “Everything’s Coming Up Milhouse” serving as a candid look at the blue-haired character’s pathos, or “Tonight” emphasizing a D&D campaign as an escape from the drudgery of real life. And I’m okay with that, because it’s a strangely beautiful and unexpected perspective.
This November, just about one year after Bombadil released its third album, All That the Rain Promises, the band plans to release another. If this new song by Stuart Robinson is any indication, Bombadil’s fourth full-length, Metrics of Affection, will be rife with heavy emotions and striking grace. Robinson’s performance of “Bad Guys” is one of the most affecting things I’ve heard from him, notably midway through, from about 2:45 to 3:00, where he builds up to an anguished yell in the name of unrequited love. “Would you ever make a plan to be alone with me?” Robinson asks in the refrain, so insistent that just hearing it makes you feel the question right along with him.